On Equal Footing

After a spell of wet season the sun came up and it was very hot. A worm peeped out and quickly withdrew to its clammy shelter. The teacher of incomparable wisdom observed: “ a worm can use the whole earth against the sun.” He guided his disciples along the countryside and a storm suddenly raged and the sage safely guided his pupils into the hollow of a cave. “ The entire hill is at our disposal to deflect the fury of elements.” He summed up at the end of the day thus: ” wisdom of man merely works along the grain of his world. Peaceful coexistence allows creatures as lowly as man or worm to live and let live.”
Shortly thereafter they came across a scorched land in ruin. The entire town had been ravaged by war. The pupils expected the master to give an opinion. After a long silence he said, “ Here we see what is unique to us: power disengaged from wisdom.”
Power coupled with wisdom is discretion while power let on its own steam makes the wise conduct themselves as fools and we need not be surprised if fools are made to sit over the destinies of nations.
In order to prove my point I only need to cite the war on terror as waged by the US. When the law givers fall in with immoral course of action proposed by a bunch of ‘chicken hawks’ lest they be seen as weak aren’t they being foolish?
benny

With Movies On My Mind

Great movies like books do not age and having seen quite a few in my lifetime I would like to recall them in a series of posts. Watching a movie is like playing Russian roulette in a manner of speaking. Overwhelming to say the least. In order to to get the various aspects of the film right I always required several rounds of seeing it. Each time my thoughts would be set off on a tangent on a line or on a visual clue alluding to another film and never could I be a passive picture-goer. Movies constituted an integral part of my interior life.

La Grande Illusion

117 mins, 1937, France, Black & White


One of the great achievements in world cinema, Renoir's "The Grand Illusion" explores the seemingly arbitrary borders of class, language, and citizenship that divide us. Renoir films have a way of talking about one thing while being about another. What I meant is, as true with any great cinema, the narrative while sticking to conventional cinematic idiom transcends its frames. Banned by the Nazis on the eve of WWII, "Illusion" remains a compelling hybrid of the prison-escape genre and Renoir's own brand of warm, humanistic drama, a pacifist statement as nobly moving as All Quiet on the Western Front. , Practically nobody noted the irony with which this archetypal prison camp escape story also outlined a barbed social analysis, demonstrating how shared aristocratic backgrounds (and military professionalism) forge a bond of sympathy between the German commandant (von Stroheim) and the senior French officer (Fresnay); how the exigencies of a wartime situation impel Fresnay to sacrifice himself (and Stroheim to shoot him) so that two of his men may make good their escape; and how those two escapees (Gabin and Dalio), once their roles as hero-warriors are over, will return home reduced being working class and dirty Jew once more.
The movie seems to have influenced Billy Wilder, who directed Stalag 17 another successful escape movie. In Renoir’s classic there is a shot of train wheels moving that dissolves into a gramophone record playing in the German camp. Did this give Hitchcock the idea of that celebrated shot of bathroom scene in Psycho? Janet Leigh’s eye dissolving into the grate on the bathroom floor similarly works on the principle of similitude.
As for the title illusions refer to the irony of war,- as a cleansing agent, to do away with the social interactions between classes (allowed to settle down and become obligations) The WWI did just that. It tolled the knell of the Hapsburgs, Hohenzollern and the Romanovs. The collapse of European monarchies showed on what illusory foundations were their rights set up.
At the end of the movie Marechal (Jean Gabin) speaks of coming back to Elsa, his new found love interest. He is sure that before he could do that he has to ‘ finish this bloody war.’ Rosenthal’s reply is:’ That is all an illusion…’
Historically within two years Europe was in to another war more bitter than the one preceded it..
Expertly directed and wonderfully acted by Gabin, Fresnay, Von Stroheim, and Marcel Dalio as French-Jewish compatriot Rosenthal, "Illusion" is ultimately a brilliant critique of war itself. It was nominated for a Best Picture Oscar in 1938.
I first saw this movie (a grainy old 16mm print) while I had enrolled with the Alliance Française in Mumbai, in the eary 70’s. It was a moving experience. Since then I have seen it number of times and it still remains a favorite in my collection.
Quote:
“Most compelling of all the film's characters is the aristocratic German officer von Rauffenstein, unforgettably incarnated by stiff-backed Erich von Stroheim; although he runs a prison camp, von Rauffenstein cannot help but strike up a friendship with de Boieldieu, a kindred spirit from the doomed nobility. La Grande Illusion is one of those movies that makes you feel good about such long-outmoded ideas as sacrifice and brotherhood. After it won a prize at the Venice Film Festival in 1937, the Nazis declared the film "Cinematographic Enemy Number One." There can be no higher praise. “ Robert Horton
benny